![]() ![]() Some have interpreted the canvas's subject as a metaphor for a government in disarray (see modern variations of the picture), such as Louis XVIII's Restoration. The painter is influenced by the expressive power of Renaissance masters such as Michelangelo (particularly in the bodies of the damned of the Last Judgment).Īs well as more recent artists such as Baron Gros, one of the artist's main influences, who painted Napoleon's soldiers who died at the Battle of Eylau a decade earlier. He used a model and wax puppets in his studio, inspected cut-off corpses, used companions as models, and took time to detail the anatomy of the subjects.ġ00 Most Famous Paintings In The World Théodore Géricault Inspiration for The Raft Of The Medusa ![]() Géricault worked out hundreds of preparatory works, which are visible in the exhibition at the Roger-Quilliot museum. To render people with bulging muscles, and depict the dreadful pallor of flesh in the process of survival. It was soon after exhibited in London, establishing the young artist (who would die four years later) as one of the romantic school's leaders. It elicits both praise and rejection, as well as enthusiasm and revulsion. ![]() Three years later, at the age of twenty-eight, Géricault displayed his work at the Salon, measuring nearly five by seven meters. That was a maritime accident in 1816 that claimed the lives of 160 individuals who perished after boarding the frigate Méduse off the coast of Mauritania.Īfter becoming stranded on a sandbar, 137 individuals managed to float on a big raft, suffering from hunger and dehydration to the point of devouring one another. The Raft of the Medusa – originally titled Scene of a shipwreck – was painted between 18 and tells the story of a tragedy. She teaches specialist English and Art History at Universities Paris 3 and Paris 4.The Raft Of The Medusa By Théodore Géricault Her writing has been published in Apollo Magazine, the Times Literary Supplement, Conde Nast Traveler and WSJ Magazine. She holds an undergraduate degree in French and Art History with a specialty in 19th-century art and literature, and pursued graduate studies in Art History at Paris 4 La Sorbonne, writing a thesis on popular imagery and caricature in Revolutionary and Napoleonic Paris. native, is an adoptive Parisienne and has been wandering Paris' narrow streets and leafy boulevards since 2003. Looking beyond the writhing figures and dismembered body parts of Gericault’s monumental canvas to the political and historical context, we will also shed light on the painting as a comment on Restoration politics in France, and a document in the abolitionist debate of the early 19th century.Ĭaroline Rossiter, a U.K. In this talk we will explore how the painting elevated a heart-stopping, real-life contemporary tragedy to a subject worthy of the History Painting genre, ushering in a new Romantic aesthetic which focused on extremes of emotion. The grisly tale of shipwreck, survival and cannibalism has been told and retold, but what do you know about this painting that made it so controversial to its 19th century audience? The Raft of the Medusa by Theodore Géricault is one of the most famous paintings in the Louvre. ![]()
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